Zhang Zhen is assistant professor of cinema studies at New York University.

Shanghai in the early twentieth century was alive with art and culture. With the proliferation of popular genres such as the martial arts film, the contest among various modernist filmmakers, and the advent of sound, Chinese cinema was transforming urban life. But with the Japanese invasion in 1937, all of this came to a screeching halt. Until recently, the political establishm...(展开全部)

Shanghai in the early twentieth century was alive with art and culture. With the proliferation of popular genres such as the martial arts film, the contest among various modernist filmmakers, and the advent of sound, Chinese cinema was transforming urban life. But with the Japanese invasion in 1937, all of this came to a screeching halt. Until recently, the political establishm...(展开全部)

Zhang Zhen is assistant professor of cinema studies at New York University.

The advent of new media presents a serious challenge to our understanding of visual representation, of narrative and indeed the whole art of the moving image. New media forms are emerging in hypertext, multimedia, computer games, interactive broadcast and screen media. These are constantly redefining the relationship between story and text and between the creators of art and th...(展开全部)

The advent of new media presents a serious challenge to our understanding of visual representation, of narrative and indeed the whole art of the moving image. New media forms are emerging in hypertext, multimedia, computer games, interactive broadcast and screen media. These are constantly redefining the relationship between story and text and between the creators of art and th...(展开全部)

柯玮妮（Whitney Crothers Dilley），美国西雅图华盛顿大学博士（1998），现任台北世新大学英语系副教授。与陈鹏翔合编《华人文学中的女性主义/女性气质》（Feminism/ Feminity in Chinese Literature, 2002）。曾以华语女性文学编辑身份获列入知名的「世界名人录」 ( Marquis Who's Who in the World )。 2009年08月《纽约时报》专文〈追逐社会的藏龙〉（Chasing Society's Hidden Dragons）中，受访谈论李安的作品。

Born in Taiwan, Ang Lee is one of cinema's most versatile directors whose ability to traverse cultural, national, and sexual boundaries has gained him worldwide recognition. His astonishingly diverse résumé shows him tackling culture clashes and globalization ( Eat Drink Man Woman, 1993), period drama ( Sense and Sensibility, 1995), blockbusters ( Hulk, 2003), and gay romance...(展开全部)

挖掘被忽视和遗忘的影片 重写活色生香的上海影史 探寻上海如何成为“电影之城” ★中国早期电影史必读经典，诗性激越的学术佳作 ★首部研究中国早期电影史的著作，填补学术空白。多次再版，电影爱好者和学术研究者必读 ★以“白话现代主义”重新解读早期中国电影，挖掘被遗忘、被忽视的早期电影与影人，重现中国电影业的起步阶段，重新评估早期电影的文化和政治地位 ★这不仅是一部电影史，更是一部多维度的社会文化史。性别秩序、观影体验、都市文化、明星现象、影迷群体、戏院建筑……书中对电影相关的多样文化景观均有深刻且独到的呈现与剖析 ★全书穿插近百幅珍贵的剧照和老照片，为读者描摹一幅“民国上海都市文化全景图” ★典藏本在修订的基础上，新增两篇附录文章：研究论文《上海孤儿》、散文《飞越时间的鸟巢（诗体回忆录）》 ★精装全新设计，新增彩插，随书附赠精美藏书票 ★裴开瑞（伦敦大学国...(展开全部)

20世纪早期的上海因其艺术与文化而充满活力。随着武侠片等通俗类型的发展、现代电影人之间的论争以及有声时代的到来，电影文化改变着都市生活。1937年抗日战争全面爆发，使这一切被迫戛然而止。一直以来，世界电影史和中国现代史的这一重要章节并没有得到充分的考量。作为第一部海外学界对发生期的中国电影史进行系统研究的论著，《银幕艳史》以精妙的笔触展现了电影的重大文化意义和它在社会变迁中所产生的媒介力量。